Like any other part of the filmmaking process, color correction is best approached by following a general set of guidelines that allow you move through the process as effortlessly and efficiently as possible. That said, if you are set on color grading your own projects, or are simply a colorist starting out, one of the most important things you need to tackle is the order of operations with which you approach your color process.
In many cases, I would advise against coloring your own work unless like myself, you also work as a dedicated colorist. With color grading software like DaVinci Resolve and Adobe Speedgrade being readily available to just about anyone with access to the internet, it’s no surprise that more and more filmmakers are attempting to color their own footage.
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